|
A warlike song for Europe
For most north Europeans, the Eurovision Song
Contest is little more than a joke. For citizens of
the former Yugoslavia, however, it is a chance to
revisit all the hatreds of the Balkan conflict
Author: Tim Judah
Source: The Observer
Severina is sexy, nearly naked and Croatian. I know
that, because what little she is wearing is a Croatian
flag. But that is not what has produced snorts of
derision from one end of the Balkans to the other.
Consider the words from her song for Europe: 'The
grass has not yet sprouted... Where my high heel has
trodden... hay, straw, cheese, salami, risi-bisi...
Africa, paprika.'
Funny? I don't think so. It is war in the Balkans
again. And this time it's the war of the Eurovision
Song Contest.
Check out Severina on the Eurovision Song Contest
website. The contest takes place on 20 May in Athens
and for some of us snooty types in northern Europe,
it is all a bit of a joke. Not so down south, where
these lyrics have ruled her right out of the running.
Who would have guessed that when the founders of
the venerable contest held their first, gentle little
sing-song in Switzerland in 1956 - which Britain missed
because it failed to get its application form in on
time - that more than half a century later, the former
Yugoslavs would take it all quiet so seriously?
I began my Balkan Eurovision odyssey in Kosovo.
Technically it remains a part of Serbia. However,
since the end of the Kosovo war in 1999 it has been
under the jurisdiction of the United Nations, with
security from Nato. Of its 2 million people, more
than 90 per cent are ethnic Albanians, who want full
independence from Serbia. When it comes to a song
for Europe, though, that is a problem.
The Eurovision Song Contest might stretch from the
Atlantic to the Urals, but there is one tiny hole
in it: Kosovo. No state, no song.
Flakareshat are a bouncy girl band dying to make
the big time. Since 1999, Kosovan groups, like Flakareshat,
who wanted to try to get to Eurovision have had to
trek down to Tirana, the Albanian capital, and compete
with bands from there. Not surprisingly, Albania has
never given a group from Kosovo the chance to represent
Albania.
Maybe things will be different next year. Talks
on Kosovo's future have begun and may end in independence,
although some conditions might be attached. As long
as not appearing at the Eurovision Song Contest is
not one of them, then that would be OK, says Petrit
Selimi, managing director of the newspaper Express
Next year, predicts Selimi, Kosovo would see 'mass
hysteria' if Flakareshat got to go to Eurovision.
'Even if we don't get a flag in front of the United
Nations,' as a result of the current talks, he says,
'as long as we get that song in the Eurovision Song
Contest, I think we will be pretty happy with it.'
Over the mountains and not too far away, Montenegrins
are licking their wounds. Or at least pretending to.
Technically speaking, Serbia and Montenegro are linked
together in a loose 'state-union'. What they have
in common is an army, a few ministries, a flag and
one ticket for Eurovision. Last year a Montenegrin
boy band called No Name got to go to Kiev for the
'state-union'.
When they were there they draped themselves in the
Montenegrin flag. Since most Europeans could not tell
the difference between this flag and one from a Tintin
book it was a gesture that passed 95 per cent of Europeans
by. Not the Serbs, though; they saw it as a calculated
insult and a nod to the tiny republic's campaign for
independence.
On 11 March No Name were voted to represent Serbia
and Montenegro again at a contest which took place
in Belgrade. The Montenegrins were triumphant. As
one senior source told me, they had spread a rumour
about whom they thought would win. The Serb judges
fell for it and the Montenegrins gave full marks.
No Name thus tactically outvoted the Serbian judges.
Barely 12 hours earlier, Slobodan Milosevic, the
former Serbian ruler, had died in his prison cell
in The Hague where he was on trial for war crimes.
What was now about to happen was later deemed by Zoran
Zivkovic, a former Serbian Prime Minister, to have
caused 'much more excitement'.
The Serbs were having none of it. As No Name came
on stage to perform their winning number, a virtual
uprising began in the Sava Centre concert hall. 'Thieves,
thieves,' screamed the audience, who pelted the Montenegrins
with bottles.
'I was shocked, I was terrified,' says Sandra Peric,
sister of No Name's bass player. No Name retreated,
under armed guard, to their dressing room, while the
triumphant Flamingos, the Serbian band that came second,
advanced on to the stage to perform in their stead.
In Wogan-land we just fail to see the possibilities
of Eurovision. Less than 12 hours after the contest
in Athens, the polls open in Montenegro in a referendum
on independence - from Serbia.
The Montenegrins, says Aleksandar Tijanic, the powerful
director of Serbian television, were just desperate
to get their boys on stage before all Europe, puffing
up national pride, in a last-ditch effort to get out
the vote.
This, he says piously, would be 'against the spirit'
of the competition and he was having none of it. So,
refusing to sign the papers necessary, Serbia and
Montenegro will not be going to Athens this year,
a move unprecedented in 51 years of Eurovision and
one which pro-independence politicians in Montenegro
say proves why the republic needs independence.
Milica Belevic, one of Montenegro's judges at the
Eurovision Battle of Belgrade, says categorically
that politics was the furthest thing from her mind
when she voted for No Name. 'There was no political
motivation,' she says. Her colleague Sabrija Vulic
from Montenegrin television, though, says that, while
'Yugoslavia was divided with guns, Serbia and Montenegro
will be divided by songs.'
Quite possibly, but this is the curious thing about
the Eurovision Song Contest in the Balkans. As Terry
Wogan will doubtless point out, just because these
people spent years trying to kill one another, it
does not mean they will not be voting for each other
on 20 May.
You don't think they chose Hari, lead singer of
the band Hari Mata Hari just because he has a nice
voice, do you?
Oh no. Hari, 45, does have a nice voice. But he
also has something else which babes like Severina
do not. It's called Yu-appeal. Hari was famous before
Yugoslavia disintegrated in blood and he is still
popular across the region. Now, with Serbia and Montenegro
out of the contest, the pool of potential telephone
votes for Bosnia has gone up by several million.
Hari, known as 'the nightingale of Sarajevo', told
me that Bosnians were fed up with losing. 'It is very
important for morale that at last we win here.' And
of course for getting the competition to Sarajevo
in 2007.
Bosnia may be pursuing Serbia through the International
Court of Justice in The Hague with its claim of genocide,
but Hari is a Bosnian Muslim and his music has been
written by a famous pop star from Serbia. Hari is
talking about votes from a country of 25 million people
- but there are only four million in Bosnia. It is
the ghost of Yugoslavia.
'You can't erase 70 years of a joint state,' sighs
Aleksandar Tijanic. 'Despite all the wars.' |